On a recent Sunday, I took the F train to Brooklyn to visit
Bill Shapiro, whose book
Other People's Rejection Letters hit shelves this week. (On the sweeter side, he also edited the popular
Other People's Love Letters.) This new collection of rejection letters ranges from the romantic to the professional; from
Jimi Hendrix to moi (I authored two, and contributed a photo). Fittingly, the F train —the FU train—went
unexpectedly express once I left Manhattan, leaving me feeling a bit rejected myself when I realized I was completely off-track. A town car and an
unplanned tour of Brooklyn later, I was hanging out with Bill and drinking a nerve-calming breakfast smoothie while the birds chirped in the garden and
his kids played games on the computer and made butterfly mosaics on the floor. What snafu?
I love Brooklyn.
I know Bill pretty well, considering that
I'm the third wheel to the
Bill-and-Naomi unit. This is what happens when your best friends have cool boyfriends. We do a lot together, i.e., I tag along.
This was my
first visit to Bill's new home, and I love it! It's three stories and has shiny wood floors and gorgeous fireplaces and has a warm kitchen painted
bird's-egg blue. In the kitchen are smoothies. On the walls are some fantastic pictures: Bill, a longtime
editor at Time Inc., was the founding editor of
Life.com. He's got some great shots of Marilyn Monroe, random
antique daguerreotypes, old
Life covers, and lots of
photo paraphernalia. Taking snapshots for Homebodies at the home of such an expert? No sweat.
Below, between the kitchen and the living room, is
the mosaic room, and for adults, the office area.
The desk: where book-magic and bill-paying happens. The
Life poster was designed by Bill's friend
Carin Goldberg, the legendary graphic designer behind those
Kurt Vonnegut titles, a
Madonna album, and a slew of other things (I got sucked into her website. Check it out).
On shelves along the opposite wall are
more photographs and cameras. Below, the
Feb. 2, 2007 Life cover featuring
Sienna Miller during the
Factory Girl blitz. I think that's a spring from a
sofa cushion. The Marilyn Monroe series was shot by the great
Life photographer
Alfred Eisenstaedt. She called him over to her house in Santa Monica and vamped in the backyard, says Bill. Bill
vamped for me in the
reflection of the daguerreotypes. I was admiring the framed faces when he appeared and became
superimposed. Creepy!
The
charcoal on paper behind the TV is by
Tim Clifford, who happens to live a few blocks away. I love this rug. I think Bill said it's
from his mom? I'm looking for a flat weave myself. And is that a
mini tri-pod on the windowsill, next to the pocket watch?
Next up, the kitchen. A preview,
with the boy, from the mosaic room.